If you are a photographer, you understand the significance of a lens for your DSLR camera. A good DSLR lense is the only way for a photographer to capture a masterpiece photo. A good lense enables the capture of wide-angle photos, macro photos, telephotos, and other images. Your best DSLR Lenses and how you use them can mean the difference between a good shot and a masterpiece.
In this tutorial, I will try to find out the best Lenses for your DSLR camera found in the market. I will give you the reviews and details in this tutorial. This may help you to purchase your next DSLR lenses.
The basic classification of lenses_
Angle-of-view (also known as “field-of-view”)
Examples:
i) Wide-angle lens (35mm and below)
ii) Standard lens (between 35mm and 135mm)
iii) Telephoto lens (above 135mm)
Fixed or adjustable focal length
Examples:
i) Zoom lenses can cover a range of focal lengths.
ii) Prime lenses have a single fixed focal length.
The Best DSLR Lenses in 2020
Canon EF 70-300mm f/4-5.6 IS II USM
Sigma 18-35 f/1.8 DC HSM Art Lens
Sigma 70-200mm f/2.8 DG OS HSM | S
Sigma 12-24mm f/4 DG HSM Art Lens
Sigma 150-600mm f/5-6.3 DG OS HSM | C
Tamron SP 70-200mm f/2.8 Di VC USD G2
Canon EF-M 55-200mm f4.5-6.3 IS STM
1. Canon EF 70-300mm f/4-5.6 IS II USM DSLR Lens:
Canon’s EF 75-300mm f/4-5.6 III Lens is a telephoto zoom lens ideal for everyday use. Because of its lightweight and small size, especially given its long focal length. It has the ability to magnify distant subjects while also compressing the space between subjects within the frame and, with a shallow depth of field at its longer lengths, it provides appealing out-of-focus bokeh. Even at the telephoto end of its zoom, its minimum focus distance is 4.9′. A versatile telephoto focal range that is ideal for portraiture and enlarging distant subjects. The equivalent focal length range on an APS-C format camera is 120-480mm.Lightweight and compact weighs only 16.8 oz Autofocus via front group extension system with DC micromotor 4.9′ minimum focus distance throughout the zoom range
2. Sigma 18-35 f/1.8 DC HSM Art DSLR Lens:
The Canon EF-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom with a distinctively fast and versatile design that covers wide-angle to normal focal lengths. This zoom stands out from the crowd thanks to its exceptionally bright f/1.8 constant maximum aperture, which is ideal for use in low-light situations and provides an impressive depth of field control throughout the zoom range. The optical design includes a number of SLD and aspherical elements that contribute to high clarity and sharpness by suppressing aberrations, color fringing, and distortion. In addition, a Super Multi-Layer Coating has been used to control lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 18-35mm also sports an advanced Hyper Sonic Motor, along with an internal focusing design, to promote fast, quiet, and precise autofocus performance.
3. Sigma 70-200mm f/2.8 DG OS HSM | S DSLR Lens:
The Canon EF-mount Sigma 70-200mm f/2.8 DG OS HSM Sports Lens is a versatile telephoto zoom with a bright and sophisticated design that is prized for event, portrait, and sports photography. The fast constant f/2.8 maximum aperture excels in low-light situations and gives you more control over the depth of field when isolating subjects. An impressive 10 low-dispersion elements are used in the optical layout to greatly reduce chromatic aberrations and color fringing for improved clarity and color accuracy. A Super Multi-Layer Coating is also included, which aids in the suppression of ghosting and flare when working in bright lighting conditions.
4. Sigma 12-24mm f/4 DG HSM Art DSLR Lens:
The Canon EF-mount Sigma 12-24mm f/4 DG HSM is an Art-series zoom that covers a useful range of ultra-wide focal lengths. It is distinguished by its advanced design to greatly reduce distortion for a high degree of sharpness. To achieve high clarity and color accuracy, a series of low dispersion and aspherical elements are used to minimize both chromatic and spherical aberrations throughout the zoom range. A Super Multi-Layer Coating also aids in the reduction of lens flare and ghosting, resulting in color-accurate, contrast-rich imagery in a variety of lighting conditions.
5. Sigma 150-600mm f/5-6.3 DG OS HSM | C DSLR Lens:
The Canon EF-mount 150-600mm f/5-6.3 DG OS HSM from Sigma is a Contemporary-series telephoto zoom with sophisticated optics and flexible handling that offers an impressively versatile range in a portable form factor. A Super Multi-Coating helps to suppress flare and ghosting for improved contrast and color accuracy when working in bright lighting conditions, and one FLD element and three SLD elements are used to reduce color fringing and chromatic aberrations throughout the zoom range.
Tamron’s Nikon F-mount SP 70-200mm f/2.8 Di VC USD G2 Lens is a popular telephoto zoom for a variety of shooting applications, with a bright f/2.8 constant maximum aperture and sophisticated optical and physical designs. In terms of optics, an improved layout includes one XLD element and five LD elements to suppress color fringing and chromatic aberrations for notable clarity and color accuracy, as well as BBAR and eBAND coatings to reduce flare and ghosting. This 70-200mm f/2.8 lens also has an advanced Vibration Compensation (VC) system that compensates for up to five stops of camera shake for sharper handheld shooting. A ring-type Ultrasonic Silent Drive autofocus motor is also featured for responsive and accurate performance, and also affords full-time manual focus override for fine-tuned control. Additionally, the lens is also dust- and moisture-resistant for working in trying environmental conditions, and it is paired with a rotating, removable tripod foot with an Arca-type compatible base for seamless shooting atop a tripod or monopod.
7. Canon EF-M 55-200mm f4.5-6.3 IS STM DSLR Lens :
Canon’s black EF-M 55-200mm f/4.5-6.3 IS STM Lens provides a versatile range of telephoto perspectives and is designed for APS-C-format EOS M-series mirrorless cameras. To control chromatic aberrations and distortions throughout the long-reaching zoom range, the optical design incorporates one aspherical element and one Ultra-Low Dispersion (UD) element. An Optical Image Stabilizer, which compensates for up to 3.5 stops of camera shake to benefit handheld shooting with slower shutter speeds, complements the optical design and telephoto reach. An STM stepping motor is also included, providing fast, smooth, and near-silent autofocus performance for both stills and video recording applications. Full-time manual focus operation is also available for fine-tuning focus adjustments for added control.
Before purchasing your next DSLR Lense, all the information above can help you to make a decision.
Whether you’re on a tight budget or you’ve got some cash to spend, or you want the finest photographic kit around, read on to find out what we think are the best DSLRs right now.
For quite some time, the best option for getting serious about photography has been to invest in a DSLR camera. These cameras are intended for users of all technical levels, and they have traditionally offered three major advantages over smartphones and compacts: a large sensor, a large amount of manual control, and the ability to switch lenses to suit the scene and subject.
Today, mirrorless cameras are incredibly popular as they manage to offer the benefits described above but, usually, in an even more compact and lighter package. This is because they lack the mirror found in DSLRs (hence the name), and most replace the optical viewfinder with high-resolution, electronic alternatives.
They may also use smaller and lighter lenses, which helps to reduce size and weight even further.
Nikon’s awesome D850 is difficult to beat, with a staggering 45MP full-frame sensor, a sophisticated AF system, blistering performance, and a robust body. It’s not cheap, but there’s a reason for that.
While mirrorless cameras are grabbing all the headlines at the moment, don’t think DSLRs are dead and buried.
A DSLR is still the cheapest way to get a camera with interchangeable lenses and a viewfinder (you’ll find most entry-level mirrorless cameras don’t have viewfinders). On the other end of the spectrum, nearly all professional sports, press, and wildlife photographers prefer full-frame DSLRs over any other camera type.
In between entry-level and full-frame DSLRs are a whole range of models aimed at different users, different levels of experience and different budgets. Here’s our pick of the best DSLR cameras you can buy right now.
Fixed displayLet’s take a look at this great value option before we get into our top 10 picks for the best DSLRs you can buy right now. The D7200 is an excellent example of an older mid-range DSLR that still packs enough punch to be relevant in today’s market. The 24.2MP APS-C sensor lacks a low-pass filter, making it ideal for outdoor photography, and the 51-point AF system is adept at tracking moving subjects. You also get a tough, magnesium-alloy body that’s weatherproof, two card slots, and an LCD screen that can be tilted to make shooting from awkward angles easier. Its age, as well as the release of the D7500 that updated it (see below), has allowed its price to fall to an appealing level. If you don’t need the most recent camera, this is well worth a look.
It’s difficult to think of another DSLR that can compete with the D850. It’s not cheap, but it’s justified by excellent image quality, a plethora of features, and a tough, weather-resistant magnesium alloy body. The 45MP sensor is one of the highest resolution sensors in any DSLR, and the 7fps burst mode is unusually fast for a camera with this sensor. Add to that a fantastic AF system, superb handling, and stunning 4K video, and its versatility should be easy to appreciate. Like the sound of the D850 but prefer mirrorless cameras? Well, while not strictly a mirrorless version of the D850, Nikon’s newer Z7 mirrorless camera shares the same 45MP resolution as the D850, but features some clever tech of its own, including an all-new lens mount.
Canon’s EOS 5D series of cameras has a rich heritage – the original EOS 5D bought full-frame photography to the masses, the Mark II unleashed Full HD video capture for the first time on a DSLR, and while the Mark III became a firm favourite amongst photographers for doing everything it did so well. The EOS 5D Mark IV pretty much tweaks and improves on everything before it, with a newer 30.4MP sensor and advanced 61-point AF system along with 4K video recording. It’s still a brilliant DSLR that was until recently our top pick, but the arrival of the D850 means it slips a place down to number two.
Nikon has taken its flagship D5 DSLR and most of its high-end features and distilled all of this into a smaller, but still very durable metal body.The full-frame sensor has been replaced by a 20.9MP APS-C sized chip, allowing the D500 to shoot at 10fps and deliver excellent high ISO performance. With a high-performance 153-point AF system, it excels at fast action photography such as sports and wildlife photography while also being capable of shooting landscapes and portraits. If the price is too high, take a look at the D7500 below.
The D7500 is cheaper than the D500, and while it doesn’t offer quite the same pro-spec performance and build quality, it packs the same excellent 20.9MP sensor inside an even more compact and affordable body. The new camera may not get the 153-point AF system from the D500, but the enhanced 51-point system in the D7500 still puts a lot of rival systems in the shade, while the 4K video capture, tilt-angle touchscreen display and 8fps burst shooting are some of the other highlights. If you’re on a bit of a tighter budget, take a look at the 24.2MP D7200 – it may have been surpassed by the D7500, but it’s still one of the best enthusiast DSLRs out there.
The EOS 80D is Canon’s high-end enthusiast DSLR, and while it’s getting on in years – it’s one of Canon’s oldest DSLRs – it’s still a great buy. It has a quick and accurate 45-point autofocusing system, and the clever Dual Pixel CMOS AF system for Live View shooting provides quick focusing speeds. The camera’s handling is superb, encouraging creative shooting while also making setting adjustments quick and simple. It also has a high-quality 24.2MP sensor that can capture a high level of detail while controlling noise. A fantastic enthusiast DSLR with respectable performance.
The D3500 is at the opposite end of the price spectrum as some of the full-frame DSLRs here, has one of the sharpest APS-C sensors available, and a neat retracting kit lens (there are two versions, spend the extra $20/£20 and get it with VR, Nikon’s image stabilization system). It demonstrates that you don’t have to spend a fortune to get a great camera, and we believe its value for money makes it just as impressive as far more advanced (and far more expensive) alternatives. It has a fantastic 24MP sensor, and while the controls are designed to be simple for beginners, in the right hands, the D3500 can compete with cameras costing much more. If you’re looking to get more creative with your photography, and looking for your first DSLR, the Nikon D3500 is hard to beat.
The Canon EOS Rebel T7i (known as the EOS 800D outside the US) is a great entry-level DSLR that costs slightly more than the Nikon D3400 but offers significantly more features. The sensor is impressive, as is the 45-point autofocus system, which is supported by excellent live view AF, and the graphical interface will undoubtedly make this camera more appealing to new users. The lack of 4K video and the poor quality of the exterior materials are disappointing, but if you’re looking for a well-rounded and easy-to-use camera for your first DSLR, the EOS Rebel T7i / EOS 800D is a safe bet.
Like the look of Nikon’s D850 higher up, but don’t want to spend quite that much? Then look no further than the D750’s 24MP full-frame sensor. It lacks the D850’s magnificent 45MP sensor, but its 24MP alternative still produces excellent results, especially at high ISO settings. The D750 also has a respectable 6.5fps continuous shooting speed, a handy tilting screen, and a reasonably priced asking price. Wi-Fi allows you to easily upload your photos to the internet, though as an older model, there is no 4K video or touchscreen.
The EOS 7D Mark II, which is still one of the best options for sports and action photographers, prioritizes performance and speed. It combines a 20.7MP APS-C sensor with Canon’s excellent Dual Pixel CMOS AF system for smooth autofocus in live view and during video recording, as well as a 10fps burst shooting mode and a 65-point AF system, to that end. It also has excellent ergonomics and a tough, weather-resistant body, making it an excellent choice for anyone who shoots outside in varying conditions, whether for sports, wildlife, nature, or landscapes.
It may not be the smallest or most affordable way into Canon’s vast EOS DSLR ecosystem and has recently been updated by the Rebel SL3, but we’d sooner choose the Rebel SL2 – also known as the EOS 200D – over the company’s more junior and older offerings. Its strong feature set includes Canon’s excellent Dual Pixel CMOS AF system, which delivers swift autofocus during videos and in live view, while the LCD screen flips out and responds to touch – and it’s 2019, after all, so why settle for anything less? Despite its small size, handling is great too, making it a solid choice for those with small or larger hands alike. What’s not to love? Other than the understandably plasticky body and lack of 4K video, not much at all.
The D5300 has been on the market for a while, but we still have a soft spot for it – and the fact that it can still be purchased brand new attests to how relevant it remains. It offers first-time DSLR users a more robust set of specifications than the average entry-level DSLR, including a 3.2in LCD that flips all the way out to face the front, a 39-point AF system, Full HD video recording up to 60p, and 5fps burst shooting. Of course, none of that would matter if the image quality wasn’t up to scratch, but fortunately it is; the 24.1MP APS-C sensor has been designed without the optical low-pass filter to help as much detail to get into images as possible, and results at high ISO settings remain strong.
